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When you have no money and they give you a milkshake and a cheeseburger? It was the best! I was in New York City and making a way for myself.” "I tried every day to get a record deal, going up and down the avenues looking for places with pianos.” One notable early venue was the small, iconic Empire Diner on 10th Avenue and 22nd Street in Chelsea: “I played every Saturday night, from 10PM to 3AM by the bathroom. “I couldn’t believe I was living in New York," he recalls. When you have no money and they give you a milkshake and a cheeseburger? It was the best!"Īlthough he was itching as a teenager to move to New York City, Connick’s father made him wait until he was 18, at which point he moved into the 92nd Street YMHA on New Year’s Day in 1986. "I played every Saturday night, from 10PM to 3AM. I’m so thankful for that because it did have a profound impact on me.” Illustration by Ryan Casey for
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“Not only people’s skin color, but their sexuality, their religion… The way I grew up as an artist was to love everyone. But I realize now how fortunate I was.”Ĭonnick was exposed to all walks of life when he started playing music in clubs as a kid-at age 14, he would be at a gig until 3AM while his father worked the streets fighting a heroin ring in the French Quarter. “Being around things like Mardi Gras and all of that jazz seemed like what every kid did on the weekends. “We lived in a town where you could drive 10 minutes and go hear some of the greatest jazz musicians of all time playing at two in the afternoon,” he remembers. On Show People, Connick also talked about his music-filled New Orleans childhood in the Lakeview neighborhood, as the son of a district attorney dad and a lawyer mom. “About what he was like and what it would have been like to be around him, and to tell him how much I love him.”
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Eventually, he had to get one amputated.” Although their lives were vastly different, Connick’s connection with Porter runs deep. First and foremost, being a gay man in a world where he just couldn’t talk about that is heartbreaking enough, but then he got in a terrible horse riding accident and he couldn’t use his legs. “He had a fascinating life,” Connick tells Paul Wontorek on the latest episode of Show People. It opens with a fantastical film of Connick actually climbing into the ear of a giant imagined statue of Porter in his hometown of Peru, Indiana-a fitting start to his exploration of the life and work of the songwriting great who won the very first Tony Award for Best Musical for Kiss Me, Kate. A companion piece to his latest studio recording, True Love, the polished and engaging theatrical concert marks another Broadway first: Connick conceived and directed the show himself. Now, Connick is back on the boards with Harry Connick, Jr.-A Celebration of Cole Porterat the Nederlander Theatre through December 26. in "A Celebration of Cole Porter" (Photo: Matthew Murphy) Both projects earned him Tony Award nominations, and cemented his theater community membership. As his songwriting and acting careers grew over the years, so did his involvement with theater-in 2001, he wrote the score to the dark musical Thou Shalt Not and in 2006, he became a Broadway leading man with The Pajama Game. Harry Connick Jr., a dashing 21-year-old jazz musician from New Orleans, became famous overnight 30 years ago when the double-platinum 1989 soundtrack for the film When Harry Met Sally brought his swinging renditions of songs from the Gershwins, Rodgers and Hart, Benny Goodman and more to the Billboard charts.Īlthough Connick didn’t have his eye on the legit stage as a kid, this early linking of his music talents and American Songbook standards (many of which premiered in stage and screen musicals) made him a perfect fit for Broadway, where he first played a concert run at the Lunt-Fontanne Theatre in 1990.